k.i.l.l Crew

Zakariya Irfan

I am cameraman and editor and I am looking forward to finishing the shooting and editing of our drama. I have helped plan storyboarding and I want to see the result and want to develop my camera skills and team work.

Salma Arif

My job is to assist the physical camera operation-orchestrating the movement, composition and framing of the shots. Our camera team on K.I.L.L is extremely efficient, advising and communicating with each other to always get the right shot! I can't wait to see how it all comes together in post!

Zayd Wei Siong Waliyullah Bin Mat Zanes

I am the DOP and Chief Editor, I am looking forward to bringing good visuals on set. I help plan the storyboard and give ideas to the directors to make his visions come to life. I liaise with the director on set and plan out the framing for the shots.

Nadia Sazali

As K.I.L.L's produer it is my duty to organise the locations and scheduling of the actors and crew. I ensure that all cast and crew become aware of where all the shoots would be taking place, so that the shoot can go smoothly. To me, as a producer, organisation is key and it also helps to be a good listening ear to all cast and crew.

Karolina Osiecka

I am doing lighting for K.I.L.L and what I'm looking most forward to is working on set and seeing the end result. In my opinion, the people in our group are very talented and when everything will come together, the episode will be exciting to watch!

Tele Ilves

Im in charge of sound for K.I.L.L and I'm most excited to see how everything turns out, to see how and what our awesome little crew will accomplish in such a short time.

Anika Zinat

In terms of my role in the K.I.L.L drama, the assistant producer as well as the producer have handled the pre-production process', which includes making risk assessments, call sheets, location finding, scheduling, budgeting and so on. In particular I've handled location finding which has been tricky in some cases. One other thing I've taken care of is risk assessment in which every small risk has to be accounted for. As well as this, call sheets are very important in the making of a drama so that our crew know where we are shooting and how to get to location, which I have also taken are of. Although handling these jobs can be difficult, specifically location finding, I still find that these jobs are well suited for me and I am currently enjoying the process!

Hope Burgess

As co-directors, Ves and I are a close team- both communicating and channeling our collective vision through visuals, sound and of course the actors performances. To be working so closely with talented and enthusiastic cast and crew is a wonderful experience, one I'm sure will result in a entertaining and gripping slice of television.

Veselin Radanov

I am the writer and director of K.I.L.L and what I look forward to most is just seeing how it all turns out, and if the way I envisioned the episode is the way everyone else sees it. Also I compose the music and I would really love to see how my music fits the episode, as this is the one thing I am mostly freaking out about!

Josh Pamfilo

I am a co-editor and I am looking forward to seeing how smooth and polished the final cut of our work is, with added colour grading. I help out with the equipment in terms of checking that everything is there and fully assembled; what I’m looking forward to the most is how it will all come together as I am suited for the editor's role, which is very exciting